Friday, October 9, 2015

FOLLY-ING AND "ARTISAN"-MONGERING -- THE PERFECT COMBINATION!



One of the most extraordinary follies of Ohio City does not even pertain to a structure.  It pertains to an organization.  The community development agency that services this part of the city seems to be trying to suggest that it is among the oldest corporate entities in all the Cleveland area.  Having recently changed their name, accompanying their new logo is the line “Est. 1836”, which would mean that they were established almost 180 years ago.  


This is the epitome of nonsense.  This organization, even if considering any group that might be legitimately considered its predecessor, was established in 1968.  It is true, of course, on the other hand, that the historic municipality of Ohio City, prior to its annexation to Cleveland in 1854, had incorporated as a city in 1836 – but certainly there is no connection between the city that ceased to exist over 160 years ago and this modern-day community development agency.  The inclusion of “Est. 1836” as part of its corporate identity is not only extremely false historically, it is misleading, particularly to tourists and even local residents, who would be unfamiliar with local historic facts.  Its use should be ended.

Of course the irony is that the agency's newest name change uses the historic year "1836" (none of the earlier titles of that same organization had any historic reference other than “Ohio City”), yet the present agency no longer has any real interest in preservation.  Under past names, the agency promoted Ohio City as "Cleveland's Premiere Historic Neighborhood."  The agency's current goal is not to promote the neighborhood's rich historic heritage, but to "brand" the area as the land of the trendy artisan.  (This, by the way, is pretty much the same branding used in Tremont, Detroit-Shoreway, Northeast Shores, and Little Italy – in other words, nothing distinctive here.)

-- C. B. & Tim Barrett



Thursday, July 30, 2015

FOLLIEST OF THEM ALL??


2015
1994





1957

Occupying a choice corner lot on one of the more revered thoroughfares of the Ohio City Historic District is a bed & breakfast called the J. Palen House.  The b&b’s website says that this “was originally the home of one of the area’s finest brew masters.”

This establishment is a strong contender to “out-folly” all of the rest of the follies of Ohio City!

FALSEHOOD #1 
(A) This was not originally the home of “J. Palen”, or anybody named Palen.  This was originally (which, by the way, was 1897) the home of one James Stotter (City Of Cleveland Building Permit 27575, dated June 29, 1897).  Stotter remained the occupant through at least part of 1907 (historic Cleveland City Directories).
(B) For that matter, no one with Palen as his or her last-name ever lived here.  This was determined via an exhaustive search of historic Cleveland City Directories, which were published every year.  (NOTE:  The building permit application reveals that local architect Fenimore C. Bate designed the house.  The "premier" local designer of structures in the Queen Anne style, the most notable of which is the Grays Armory on Bolivar Avenue.)

FALSEHOOD #2
(A) Even the occupation alone of the home’s original occupant was not a “brew master”.  James Stotter was a physician.  (The occupations of persons in the historic City Directories are also provided.)
(B) Even if all the names of all the persons who ever lived here are disregarded, not a one was employed at a brewery – as a “brew master” or anything else. 

FALSEHOOD #3
The front-porch, the tiny side-porch, the balcony above it and the door to and from it, are all, essentially, false.  The original front-porch was on this house up to 2009, when the owners, disregarding the house’s true history, had it removed and replaced with the “Lowe’s-Special/Fake-torian” features seen there today.  The front-porch had slender paired columns and closed balustrades, which were typical for turn-of-the-century designs.  The side-porch had originally been an open one (it was enclosed long ago), but there had not been a balcony above it.

Other architecturally “false” features and damaging actions include the misguided attempt to make the house more decorative by the addition of a tiny odd balcony over the lower half of the attic window on the façade, and a strange bracketed shelf imposed over the front door [these are the least of the damage to the house in that they could be removed].   The original window openings of the house have been altered as well.  Several have been removed and sided over.  One small horizontally broad window on the top of the two story bay on the west side of the house was removed and filled with paired double-hung windows. The present almost monochromatic purple of the house is drab.  The porch seems to disappear altogether, in comparison to the bold look of the original porch.   

Despite being a historically contributing building within a National Register District and a Cleveland Local Landmark District, all of the above changes are out of compliance with the national guidelines for historic renovation and restoration -- the Secretary of the Interior’s Standards.  This project is not in compliance with 4 out of the 10 standards, specifically: 

2. The historic character of a property shall be retained and preserved. The removal of historic materials or alteration of features and spaces that characterize a property shall be avoided.
3. Each property shall be recognized as a physical record of its time, place, and use. Changes that create a false sense of historical development, such as adding conjectural features or architectural elements from other buildings, shall not be undertaken.
5. Distinctive features, finishes, and construction techniques or examples of craftsmanship that characterize a property shall be preserved.
6. Deteriorated historic features shall be repaired rather than replaced. Where the severity of deterioration requires replacement of a distinctive feature, the new feature shall match the old in design, color, texture, and other visual qualities and, where possible, materials. Replacement of missing features shall be substantiated by documentary, physical, or pictorial evidence.

Incidentally, these 2009 demolitions, alterations, and additions were aided and abetted with unprecedented intervention by a local politician, circumventing the normal review process and application for construction permission required in local Historic Districts.  A building permit from the City Of Cleveland Building Department is required by law for all such construction, and all this construction was done without one, with full knowledge of the Building Department. 

FALSEHOOD #4
Someone that is associated with this house believes that there are almost no buildings in the Ohio City Historic District that are historically correct – that nearly all have been incorrectly altered.  To some degree, this statement is true, but it isn’t acknowledging the fact that nearly all of these alterations happened BEFORE the establishment of the Historic District, which, at least in part, was done so to end this sort of activity.  Some conditions have to be satisfied for a district to be designated as historic.  This has a great deal to do with an abundance of historically original architectural features, scattered throughout the buildings of a district.  If this sort of travesty continues to be allowed, ultimately there will truly no longer be justification to call Ohio City ‘historic’.

-- C. B. and Tim Barrett



Sunday, April 19, 2015

WILL THE REAL BEVERLIN HOUSE "PLEASE STAND UP?" [*]




Lynch House - 2913 Clinton -1989 photo
 * - [This post's title is an allusion to something routinely said on a 1960s tv game show called "What's My Line?".  An obvious "stretch" for a title, but better than none at all!]

One of the earliest of Ohio City’s “follies” is the one associated with 2913 Clinton. This particular myth received considerable public exposure via a book published way back in 1976 called “Landmark Architecture Of Cleveland”. The author was Mary-Peale Schofield. An amateur historian at best, Schofield relied far more on secondary sources, including folklore and “hearsay”, than primary historic documentation. The assertion in her book regarding 2913 Clinton is that it was built for a John Beverlin, circa 1845. Although very recent research indicates that a house of this vintage did previously occupy this site, anyone who has seriously studied the evolution of historic American architecture would know that any house that would have been built in our region around that time would very likely exhibit the features of either the Greek Revival or Gothic Revival styles. But, this house, with its bracketed eaves, segmental-arch-topped windows, and two-floor side bay, instead exhibits ‘hallmark’ features of the later Italianate style. The earliest examples of this style were not built until the late-1850s. It was such a popular style, a few examples of the style continued to be built as late as the early-1880s.

Historic Cuyahoga County real-estate tax records demonstrate that this house was built for a Frank Lynch in 1872, after acquiring the land in 1869 and 1870 (not 1867 as another “legend” suggests), from the same John Beverlin. It was designed by Cleveland architect Walter Blythe [Plain Dealer, 10/18/1872].
Beverlin House - 2901 Clinton - 1992 photo
  [As a footnote to this story, perhaps it should be pointed out that the house immediately to the east of this house, at 2901 Clinton, is a house that actually was built for John Beverlin. But, it was built in 1869 – still a long ways from circa 1845.]

                                                                                                                     — C. B.